Laurie Anderson was born in Chicago in 1947. One of eight children, she studied the violin and played in the Chicago Youth Symphony. She graduated in 1969 from Barnard College in New York, and went on to study at Columbia University, working toward a graduate degree in sculpture. The art scene of the early 1970s fostered an experimental attitude among many young artists in downtown New York that attracted Anderson, and some of her earliest performances as a young artist took place on the street or in informal art spaces. In the most memorable of these, she stood on a block of ice, playing her violin while wearing her ice skates. When the ice melted, the performance ended.
Since that time, Anderson has gone on to create large-scale theatrical works which combine a variety of media—music, video, storytelling, projected imagery, sculpture—in which she is an electrifying performer. As a visual artist, her work has been shown at the Guggenheim Museum, SoHo; as well as extensively in Europe, including the Centre Georges Pompidou in Paris. She has also released seven albums for Warner Brothers, including Big Science, featuring the song “O Superman,” which rose to number 2 on the British pop charts. In 1999, she staged Songs and Stories From Moby Dick, an interpretation of Herman Melville’s 1851 novel. She lives and works in New York City.
Yinka Shonibare’s Central Park Sculpture, “Word on the Street” in Times Square, & LA’s Giant Neon Uterus
A look at this week’s art news, including Yinka Shonibare’s new public installation, “Wind Sculpture (SG) I,” near the 59th Street entrance of Central Park.
A look at this week’s art news, including the exhibition “Art in the Age of the Internet” at the ICA Boston which explores how the internet has shaped contemporary culture and artistic production.