John Baldessari was born in National City, California, in 1931. He received a BA (1953) and MA (1957) from San Diego State College, continuing his studies at Otis Art Institute (1957–59) and Chouinard Art Institute. Synthesizing photomontage, painting, and language, Baldessari’s deadpan visual juxtapositions equate images with words and illuminate, confound, and challenge meaning. He upends commonly held expectations of how images function, often by drawing the viewer’s attention to minor details, absences, or the spaces between things. By placing colorful dots over faces, obscuring portions of scenes, or juxtaposing stock photographs with quixotic phrases, he injects humor and dissonance into vernacular imagery.
For most of his career, John Baldessari has also been a teacher. While some of the strategies he deploys in his work—experimentation, rule-based systems, and working within and against arbitrarily imposed limits to find new solutions to problems—share similarities with pedagogical methods, they are also intrinsic to his particular world view and philosophy.
Baldessari has received several honorary doctorates, the most recent from the National University of Ireland, Burren College of Art (2006). He has participated in Documenta (1982, 1978); the Venice Biennale (2003, 1997); and seven Whitney Biennial exhibitions, most recently in 2008. His work has been shown in more than 120 solo exhibitions and 300 group exhibitions. A major retrospective appeared at Tate Modern, London; the Metropolitan Museum of Art, New York; and Los Angeles County Museum of Art in 2009–10. John Baldessari was elected to the American Academy of Arts and Letters in 2007. He lives and works in Santa Monica, California.
A look at this week’s art news, including a new graphic novel on Graciela Iturbide from the Getty, and events and exhibitions from San Francisco to Seoul.
A look at this week’s art news, including a special Time Magazine project honoring women, and events and exhibitions from Paris to Philadelphia.
News & Events
“Words are just a way we communicate. Images are a way we communicate. And I couldn’t figure out why they had to be in different baskets.”