Can growing a business and maturing as an artist go hand in hand? In this film, artist Diana Al-Hadid and her crew of dedicated assistants strike a balance between work and play while finishing a new sculpture on a tight deadline. Filmed over several months at Al-Hadid’s studio in Williamsburg, Brooklyn, the collaborative team of young artists devote long hours towards the completion of Nolli’s Orders (2012) for its debut in the Invisible Cities exhibition at MASS MoCA.

In a year marked by rapid growth in the studio, Al-Hadid keeps pace with the demand for her massive sculptures by enlarging her workspace, teaching specialized sculptural techniques to others, and making efficient use of time and resources. Charting the expansion of her operation over the years—from working alone in a small space to renovating and managing a floor of artist studios for additional income—Al-Hadid’s artistic ambitions are made possible by her ability to create an enjoyable, yet highly productive working environment, and to problem-solve on a grand scale. As moving day steadily approaches, Al-Hadid and her team create a manual detailing the complex assembly instructions for Nolli’s Orders, slowly dismantle and crate the intricate sculpture, and clear out the studio to begin work on the next project.