Deep Focus
Deep Focus 98
Making Paper: Hong Hong’s Performative Process
by Jacquelyn Gleisner
September 13, 2017
Climate Change & Data Drawings: An Interview with Maya Lin
by Lindsey Davis
September 8, 2017
Objective Truth vs. Subjective Perception
by Natalia Almada
August 31, 2017
Recreating What’s Lost: Pamela Mason Wagner on Shooting Reenactments
by Lindsey Davis
August 29, 2017
A Fickle Trickster Screen
by Caroline Picard
August 24, 2017
A Safe Place
by Jonathan Calm
August 22, 2017
Why Wishes Matter
by Amanda Long
August 17, 2017
Alejandro Almanza Pereda's Obstacle Course
by Anna Burckhardt
August 16, 2017
Highway to the Sun: Truth and Fiction in Maureen Drennan’s Photography
by Jacquelyn Gleisner
August 15, 2017
Tomáš Rafa: New Nationalisms at MoMA PS1
by Rachel Heidenry
August 10, 2017
Six Tips for Shooting Underwater Video
by Nick Ravich
July 21, 2017
Time-Traveling Through Music: Cambodia’s Lost Rock and Roll
by Tiffany Fung
July 13, 2017
An inner truth
by Lee Plested
July 6, 2017
Machine Drawing: Shantell Martin and the Algorist
by Nettrice Gaskins
July 6, 2017
Rise to Rust, Rust to Ashes, Ashes to Rise
by Sarah Rose Sharp
June 30, 2017
ruminations on rust
by adrienne maree brown
June 26, 2017
Photographing Philly’s Streets
by Rachel Heidenry
June 23, 2017
Meditative Rigor: The Work of Neha Vedpathak
by Taylor Renee Aldridge
June 19, 2017
On Rust: Roundtable Discussion #2
by Laura Mott & Taylor Aldridge
June 15, 2017
All Objects Are Slippery: Excavations in Santa Barbara County
by Morgan Green
June 13, 2017
Recycled Brilliance: Philadelphia’s RAIR
by Rachel Heidenry
June 8, 2017
The Art of Letting Go: An Interview with Two Ephemeral Artists, John Steck, Jr. and Richard Barlow
by Mark Reamy
June 6, 2017
Documenting Detroit: Scott Hocking & Bree Gant
by Laura Mott & Taylor Aldridge
May 23, 2017
On Rust: Roundtable Discussion #1
by Laura Mott & Taylor Aldridge
May 8, 2017
Mohamad Hafez’s Complex Models of Syrian Devastation
by Jacquelyn Gleisner
May 8, 2017
Thank You For Coming: Talking with transdisciplinary performance artist NIC Kay about balance, Blackness, and hope
by Anna Martine Whitehead
April 28, 2017
In the swim of things: a conversation on the poetics and politics in He Xiangu’s debut film
by Tiffany Fung
April 26, 2017
Touch/Don’t Touch
by Gabrielle Civil
April 19, 2017
A Farewell to the Global Museum?
by Zachary Small
April 17, 2017
Tracing the Out-of-Sight: Cristina Camacho’s Symmetrical Tensions
by Anna Burckhardt
April 12, 2017
Art on the Border
by Rachel Heidenry
April 7, 2017
Open Engagement: An Interview with Jen Delos Reyes
by Mark Reamy
March 29, 2017
Implicit Politics: August Sander and the Fallacy of Objectivity
by Erin Sweeny
March 23, 2017
Beverly Fishman: Color-Coding Big Pharma
by Zachary Small
March 21, 2017
The “Black Gash of Shame”—Revisiting the Vietnam Veterans Memorial Controversy
by Elizabeth Wolfson
March 15, 2017
Kathleen Ryan: Weightless Again at Ghebaly Gallery
by Lindsay Preston Zappas
March 8, 2017
The 1913 Armory Show: America’s First Art War
by Tom McCormack
March 8, 2017
Saying Yes
by Ann Marie Nafziger
February 23, 2017
Flickering Memoirs and Surveys: An Interview with Bill Burns
by Caroline Picard
February 21, 2017
Meriem Bennani’s Holiday Headscarf
by Jacquelyn Gleisner
February 17, 2017
Memory at the Seams: Doris Salcedo’s Sumando Ausencias
by Anna Burckhardt
February 15, 2017
Lili Reynaud-Dewar’s Teeth Gums Machines Future Society
by Rachel Valinsky
February 9, 2017
ICP’s Momentous and Magnificent Perpetual Revolution: The Image and Social Change
by Rachel Heidenry
February 2, 2017
African American Artists Reconstruct the Pastoral
by Anthony Merino
January 31, 2017
The Role of Online Archives in Contemporary Art and Activism
by Rachel Heidenry
January 24, 2017
“The Visible Hand”
by Rachel Valinsky
January 20, 2017
Polyculturalist Visions, New Frameworks of Representation: Multiculturalism and the American Culture Wars
by Nettrice Gaskins
January 17, 2017
“Is There Racism in Heaven?”—An Interview with Nick Cave
by Jacquelyn Gleisner
January 17, 2017
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