This Wholesomeness, beloved and despised, continues regardless1990Acrylic and enamel on wood panel128 × 96 inchesPhoto by Douglas M. Parker Studio
Collection Los Angeles County Museum of ArtCourtesy the artist and Regen Projects, Los Angeles
Miraculous and Needy1991Acrylic and enamel on mahogany panel82 × 66 inchesPhoto by Douglas M. Parker Studio
Private collection, Los AngelesCourtesy the artist and Regen Projects, Los Angeles
Radiant and Needy1992Acrylic and enamel on mahogany panels48 × 36 inchesPhoto by Douglas M. Parker Studio
Private collection, Los AngelesCourtesy the artist and Regen Projects, Los Angeles
Untitled #9 (A Decorated Chronology of Insistence and Resignation)1992-93Acrylic and enamel on three mahogany panels168 × 96 inchesPhoto by Douglas M. Parker Studio
Collection Whitney Museum of American Art, New YorkCourtesy the artist and Regen Projects, Los Angeles
Untitled #17 (A Decorated Chronology of Insistence and Resignation)1993Acrylic, enamel, and glitter on panel82 × 66 inchesPhoto by Douglas M. Parker Studio
Private collection, Los AngelesCourtesy the artist and Regen Projects, Los Angeles
Untitled #32 (A Decorated Chronology of Insistence and Resignation)1994Acrylic, enamel, and glitter on panel84 × 60 inchesPhoto by Douglas M. Parker Studio
Private collectionCourtesy the artist and Regen Projects, Los Angeles
Once A Noun, Now A Verb #11997Flat oil on mahogany panels with attached framed work on paper and three attached framed works on panel95 × 256 inchesPhoto by Douglas M. Parker Studio
Collection Norton Family FoundationCourtesy the artist and Regen Projects, Los Angeles
Once a Noun, Now a Verb #31998Flat oil on mahogany panel48 × 36 inchesPhoto by Douglas M. Parker Studio
Courtesy the artist and Regen Projects, Los Angeles
Thankfully, I will have had learned to break glass with sound1999Acrylic, alkyd, and aerosol on mahogany panel96 × 64 inchesPhoto by Douglas M. Parker Studio
Courtesy the artist and Regen Projects, Los Angeles
With appreciation, I will have had understood the decorum of my mobility1999Acrylic, alkyd, and aerosol on mahogany panel64 × 95 inchesPhoto by Douglas M. Parker Studio
Collection Eli Broad Family FoundationCourtesy the artist and Regen Projects, Los Angeles
