Artwork Survey: 2000s

Iñigo Manglano-Ovalle

1/23

  1. Climate
    Installation view: Max Protetch Gallery, New York.
    2000
    Suspended aluminum framework, multi-channel video projections with sound
    Dimensions variable

    Courtesy the artist and Max Protetch, New York.

  2. Climate, video stills
    2000
    Suspended aluminum framework, multi-channel video projections with sound
    Dimensions variable.

    Courtesy the artist and Max Protetch, New York.

  3. Le Baiser/The Kiss
    Installation view: The Whitney Museum of American Art, New York
    2000
    Multi-channel video installation and projection, CD audio recording, and mixed media
    Dimensions variable

    Photo by Dennis Cowley

    Courtesy the artist and Max Protetch, New York.

  4. Le Baiser/The Kiss, video still
    2000
    Multi-channel video installation and projection, CD audio recording, and mixed media
    Dimensions variable

    Courtesy the artist and Max Protetch, New York.

  5. Le Baiser/The Kiss, video still
    2000
    Multi-channel video installation and projection, CD audio recording, and mixed media
    Dimensions variable

    Courtesy the artist and Max Protetch, New York.

  6. FE (Sad Light Therapy Room)
    Installation view: Pori Art Museum, Finland.
    2001
    Site-specific installation with painted steel, vinyl, fluorescent lamps, speakers and CD audio track
    Dimensions variable

    ourtesy the artist and Max Protetch, New York.

  7. Search (En Busquedad)
    Radio telescope installation at the Plaza Monumental Bullfight Ring, Tijuana, Mexico.
    2001

    Photo by Alfredo De Stefano.

    Courtesy the artist and Max Protetch, New York.

  8. Search (En Busquedad)
    Radio telescope installation at the Plaza Monumental Bullfight Ring, Tijuana, Mexico.
    2001
    Photo by Alfredo De Stefano.

    Courtesy the artist and Max Protetch, New York.

  9. Nocturne (White Poppies)
    Installation view: Museo Tamayo de Arte Contemporáneo, Mexico City.
    2002
    Live video installation, night vision camera, LCD projector, live audio, Night Vision with wild opium poppies and live audio
    Dimensions variable

    Courtesy the artist and Max Protetch, New York.

  10. Accelerator/Sisyphus, video still
    2003
    Video on plasma screen, 3 minute 56 second loop.

    Courtesy the artist and Max Protetch, New York.

  11. Zeppelin Hangar
    2003
    Color photograph laminated to Plexiglas
    48 × 72 1/2 inches.

    Courtesy the artist and Max Protetch, New York.

  12. Storm Hangar, video still
    2003
    Video animation on plasma screen, 2 minute loop.

    Courtesy the artist and Max Protetch, New York.

  13. Oppenheimer, video still
    2003
    16mm film transferred to digital video, 8 minute loop.

    Courtesy the artist and Max Protetch, New York.

  14. Cloud Prototype No.1
    Installation view: Max Protetch Gallery, New York.
    2003
    Fiberglass and titanium alloy foil
    132 × 176 × 96 inches

    Courtesy the artist and Max Protetch, New York.

  15. Iceberg (r11i01)
    Installation view: The Art Institute of Chicago.
    2004
    Suspended anodized aluminum tubes; rapid prototyped ABS plastic and nylon
    Approximately 25 × 20 × 18 feet.

    Courtesy the artist and Max Protetch, New York.

  16. Untitled (Sounding No. 2)
    2005
    Color photograph laminated to Plexiglas
    40 × 49 7/8 inches

    Courtesy the artist and Max Protetch, New York.

  17. Iceberg (r11i01) Beyond the Irish Sea
    Installation view: "Beyond the Irish Sea," organized by the Liverpool Biennal as part of Year of the Sea, England.
    2005
    Suspended anodized aluminum tubes; rapid prototyped ABS plastic and nylon; shipping container and weathervane
    Dimensions variable

    Courtesy the artist and Max Protetch, New York.

  18. Recumbent Iceberg (r11i01)
    Installation view: Rochester Art Center. Photo by Gene Pittman.
    2005-06
    Aluminum tubes, rapid-prototyped ABS plastic and nylon, USB drive
    Approximately 300 × 240 × 216 inches.

    Courtesy the artist and Max Protetch, New York.

  19. Random Sky
    Installation view: Hyde Park Art Center, Chicago.
    2006
    7680 x 1024 resolution continuous real-time digital output; single channel, 10-projection screens; weather transmitter with temperature, barometric, wind speed and direction instrumentation; and 7.1 surround sound.

    Collaboration with Mark Hereld and Rick Gribenas.

    Courtesy the artist and Max Protetch, New York.

  20. Random Sky
    Installation view: Hyde Park Art Center, Chicago.
    2006
    7680 x 1024 resolution continuous real-time digital output; single channel, 10-projection screens; weather transmitter with temperature, barometric, wind speed and direction instrumentation; and 7.1 surround sound.

    Collaboration with Mark Hereld and Rick Gribenas.

    Courtesy the artist and Max Protetch, New York.

  21. Bulletproof Umbrella
    2006
    Kevlar, graphite, ABS rapid-prototyped polymer
    36 × 36 × 33 inches

    Courtesy the artist and Max Protetch, New York

  22. Black Jack
    2006
    Carbon fiber and aluminum
    138 × 158 × 96 inches

    Courtesy the artist and Max Protetch, New York

  23. Always After (The Glass House)
    2006
    Super 16mm film transferred to high-definition digital video, 9 minute 41 second continuous loop.

    Courtesy the artist and Max Protetch, New York.