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Real BiographyTrenton Doyle Hancock

June 14, 2013

Speaking from James Cohan Gallery, New York in late 2012, artist Trenton Doyle Hancock describes how his work has evolved over the past ten years. When Art21 first filmed the Houston-based artist in 2002, all of his paintings and drawings were filtered through a fictional narrative and characters he called “Mounds” and “Vegans.”

Hancock created these stories to give structure to his wide-ranging interests and ideas. The Mounds and Vegans have appeared in numerous exhibitions, a storybook, a mural at the Dallas Cowboys Stadium, and even a ballet. It was while watching the ballet that Hancock realized it was time to move on from the tale.

More information and credits

Credits

Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Ian Forster. Camera: Ian Forster, Rafael Salazar Moreno, Joel Shapiro & Ava Wiland. Sound: Stephanie Andreou & Ava Wiland. Editor: Morgan Riles. Artwork Courtesy: Trenton Doyle Hancock, Ballet Austin, James Cohan Gallery & Dallas Cowboys Stadium. Archival Images Courtesy: Trenton Doyle Hancock. Photography: Tony Spielberg. Theme Music: Peter Foley.

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

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Trenton Doyle Hancock

Trenton Doyle Hancock’s prints, drawings, and collaged-felt paintings work together to tell the story of the Mounds—a group of mythical creatures that are the tragic protagonists of the artist’s unfolding narrative. Each new work by Hancock is a contribution to the saga of the Mounds, portraying the birth, life, death, afterlife, and even dream states of these half-animal, half-plant creatures. Influenced by the history of painting, especially Abstract Expressionism, Hancock transforms traditionally formal decisions—such as the use of color, language, and pattern—into opportunities to create new characters, develop sub-plots, and convey symbolic meaning. Balancing moral dilemmas with wit and a musical sense of language and color, Hancock’s works create a painterly space of psychological dimensions.

“The same kind of reflexive thing that was going on with the work before that was me and these codified characters, then became me and my real biography.”

Trenton Doyle Hancock

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