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Bad BoyMike Kelley

August 6, 2010

Mike Kelley sets the record straight about being called a “bad boy” throughout his career, describing the shifting tastes of critics and artists towards abject art in recent years.

More information and credits

Credits

Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Norbert Arnsteiner & Nancy Schreiber. Sound: Stacy Hruby & Ullrich Vlasak. Editor: Paulo Padilha. Artwork Courtesy: Mike Kelley. Special Thanks: MUMOK, Vienna.

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

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Mike Kelley

Mike Kelley’s work ranges from highly symbolic and ritualistic performance pieces to arrangements of stuffed-animal sculptures, to wall-size drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations. His work questions the legitimacy of “normative” values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the concept of victim or trauma culture, which posits that almost all behavior results from some form of repressed abuse. Kelley’s aesthetic mines the rich and often overlooked history of vernacular art in America, and his practice borrows heavily from the confrontational, politically conscious, “by all means necessary” attitude of punk music.

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Mike Kelley

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Artist Mike Kelley discusses psychological theories, beauty, and the sublime.