Barbara Kasten makes photographs and video projections in her studio that evoke an experience of movement through modernist architecture. While abstract, her work is subversively political, asking viewers to fundamentally question their perceptions. Trained as a sculptor, Kasten began to investigate photography through cyanotypes of fabrics and photograms of objects placed directly on the paper. This led her to photograph elaborate compositions of objects in the studio—such as Platonic shapes, paper, plexiglass, and wire—often illuminated by theatrical lighting and colored gels. Kasten’s video projections of rotating objects and planes of drifting color, cast onto building exteriors and interiors, destabilize the architecture through the optical fragmentation of forms.