Her sculptures are often incorporated in her performances and video works, examining the links between clinical and medical repulsions alongside sensual and sexual fascinations. Assertively reclaiming power, COBRA’s work confronts viewers, challenging them to consider their complacency in systems of objectification, racism, false narratives, and historical omissions while commemorating those who have been subjected to enslavement, medical torture, and racial oppression. COBRA has held residencies and fellowships at Recess Art, the International Studio and Curatorial Program, Socrates Sculpture Park, Pioneer Works, and Skowhegan School of Painting and Sculpture. She is also a licensed tattoo artist, a practice that extends her acknowledgment of the simultaneous resilience and silencing of African Americans throughout history.